Spelling and Grammar
This commit is contained in:
parent
bee0321b7b
commit
448a26db49
5 changed files with 23 additions and 23 deletions
|
@ -188,8 +188,8 @@
|
|||
seconds. During which a warm feeling within my chest, underneath where
|
||||
the ribs meet to create the sternum, glows. I find that
|
||||
<em>'redemption tour'</em> is a track absolutely bursting with
|
||||
sincerity; as if it is daring you to drop all preconcieved notions of
|
||||
irony, detachment and worries of coming off as 'cringe' through
|
||||
sincerity; as if it is daring you to drop all preconceived notions of
|
||||
irony, detachment, and worries of coming off as 'cringe' through
|
||||
modelling it to you itself. An approach I adore.
|
||||
</p>
|
||||
<p></p>
|
||||
|
@ -197,7 +197,7 @@
|
|||
I rarely listen to this track once. I always make sure to queue it up at
|
||||
least 2 times and would gladly repeat it into the double-digits. I
|
||||
thought, maybe, to express the short length as a fault of the song,
|
||||
though - after some thought - I feel it to be a good choice: as it is
|
||||
though — after some thought — I feel it to be a good choice: as it is
|
||||
somewhat repetitive, the track does not over-stay its welcome. One can
|
||||
always invite it in again. Like I do, always.
|
||||
</p>
|
||||
|
@ -208,7 +208,7 @@
|
|||
<ul>
|
||||
<li>
|
||||
<b>Sadness</b> has me focus on the warbled and stretched notes she
|
||||
sings as though they are near-faltering, lornful cries; and the
|
||||
sings as though they are near-faltering, forlorn cries; and the
|
||||
downward trajectory of the two-chord piano progression which makes me
|
||||
feel heavy with each strike;
|
||||
</li>
|
||||
|
|
|
@ -159,7 +159,7 @@
|
|||
<p>
|
||||
Hey friends and strangers alike. If you've come here of your own accord,
|
||||
that's really cool! It's more likely that I sent you here myself. You
|
||||
may have asked for recommendations or I may have made my recommendations
|
||||
may have asked for recommendations, or I may have made my recommendations
|
||||
your problem anyway.
|
||||
</p>
|
||||
<p>In either case, I hope you find something valuable here :)</p>
|
||||
|
@ -318,7 +318,7 @@
|
|||
within any emotional state I am in</q
|
||||
>
|
||||
<p>
|
||||
It is a track absolutely bursting with sincerity and I love it very
|
||||
It is a track absolutely bursting with sincerity, and I love it very
|
||||
dearly.
|
||||
</p>
|
||||
<div>
|
||||
|
@ -370,7 +370,7 @@
|
|||
</hgroup>
|
||||
<p>
|
||||
I was drawn into the world of this album the first time I heard it.
|
||||
Experimental, Psychodelic, A beautifully noisey landscape.
|
||||
Experimental, Psychedelic, A beautifully noisy landscape.
|
||||
Transported to another world. I listen to this often.
|
||||
</p>
|
||||
<ul>
|
||||
|
@ -482,7 +482,7 @@
|
|||
<h2>by A1 Turbo</h2>
|
||||
</hgroup>
|
||||
<p>
|
||||
Unbelievable, Noisey, Experimental and Energetic. A little known
|
||||
Unbelievable, Noisy, Experimental and Energetic. A little known
|
||||
gem. Satisfying to my ears in a way that I struggle to describe.
|
||||
</p>
|
||||
<ul>
|
||||
|
|
|
@ -166,7 +166,7 @@
|
|||
<li>Death</li>
|
||||
</ul>
|
||||
<p>
|
||||
This one was written rather quickly but I still like it. I needed to
|
||||
This one was written rather quickly, but I still like it. I needed to
|
||||
shake off some rust and dust. I think it's a fine beginning to my
|
||||
momentum!
|
||||
</p>
|
||||
|
|
|
@ -150,12 +150,12 @@
|
|||
|
||||
<main id="blog-post">
|
||||
<hr aria-hidden="true" />
|
||||
<h1>Website changes. Javascript.</h1>
|
||||
<h1>Website changes. JavaScript.</h1>
|
||||
<hr aria-hidden="true" />
|
||||
<hr aria-hidden="true" />
|
||||
<h2>First Things First:</h2>
|
||||
<p>
|
||||
All javascript is first-party hosted and
|
||||
All JavaScript is first-party hosted and
|
||||
<span class="highlight">only serves as Quality of Life</span>. <br />
|
||||
Nothing is lost if you disable JS entirely, just ease-of-use and
|
||||
prettiness. <br />
|
||||
|
@ -165,7 +165,7 @@
|
|||
<p>
|
||||
All JS also keeps screen-readers and other accessibility in mind.
|
||||
<a href="../socials.html" target="_blank"
|
||||
>If I something is not adequately accessible, please let me know!</a
|
||||
>If something is not adequately accessible, please let me know!</a
|
||||
>
|
||||
<br />
|
||||
That includes any part of the site's accessibility that you feel could
|
||||
|
@ -174,7 +174,7 @@
|
|||
<hr aria-hidden="true" />
|
||||
<h2>Verbose Info</h2>
|
||||
<p>
|
||||
Hello everyone! <br />I've recently added a few Javascript functions.
|
||||
Hello everyone! <br />I've recently added a few JavaScript functions.
|
||||
While a function that only allows one audio file to play at a time has
|
||||
been around for a long, long time. There are two new additions:
|
||||
</p>
|
||||
|
@ -184,13 +184,13 @@
|
|||
<p>
|
||||
If JS is disabled then the content is already displayed, taking up
|
||||
space that I felt best to be shown only when prompted by the user.
|
||||
Though not necesarry for function.
|
||||
Though not necessary for function.
|
||||
</p>
|
||||
</li>
|
||||
<li>
|
||||
An automatic function that shows the ID of each 'now' post <br />
|
||||
<p>
|
||||
Each post has an ID built into the HTMl element, so you can still
|
||||
Each post has an ID built into the HTML element, so you can still
|
||||
reference them via links: E.G. "nnwhen.com/now#0007" which refers to
|
||||
the
|
||||
<a href="../now.html#0007" target="_blank">Now post with ID 0007</a
|
||||
|
|
|
@ -180,16 +180,16 @@
|
|||
|
||||
<h3>Background:</h3>
|
||||
<p>
|
||||
I have had a cassette deck for about a year now but only recently
|
||||
I have had a cassette deck for about a year now, but only recently
|
||||
managed to get my hands on actual cassette tapes. A few days of
|
||||
tinkering with tape saturation went by with nothing really to show for
|
||||
it - though I did send a few videos of awful bass-saturated tracks to a
|
||||
it — though I did send a few videos of awful bass-saturated tracks to a
|
||||
couple friends.
|
||||
</p>
|
||||
|
||||
<p>
|
||||
On <b>30 Aug 2024</b> I was using the connected amplifier to peruse the
|
||||
FM/AM radiowaves. I decided to sample the static and turned on my PC,
|
||||
FM/AM radio waves. I decided to sample the static and turned on my PC,
|
||||
which immediately sent the signal spiralling into absolute chaos.
|
||||
<em>Perfect</em>.
|
||||
</p>
|
||||
|
@ -253,7 +253,7 @@
|
|||
|
||||
<h3>The How:</h3>
|
||||
<p>
|
||||
I was much too scared to twist the knobs and dials on my receiver as
|
||||
I was much too scared to twist the knobs and dials on my receiver, as
|
||||
well as randomly opening video and audio files on my PC at first; it was
|
||||
a non-scripted performance and anything could have happened. I was
|
||||
scared of making a mistake, <b>being 'cringe'</b>. I kept this in mind.
|
||||
|
@ -282,7 +282,7 @@
|
|||
<p>
|
||||
I wrote this blog-post to credit the things that were not recordings of
|
||||
my friends or ephemeral radio recordings. And more importantly: Point
|
||||
you toward other media that didn't make it in or I was reminded of.
|
||||
you toward other media that didn't make it in, or I was reminded of.
|
||||
</p>
|
||||
|
||||
<h3>
|
||||
|
@ -309,9 +309,9 @@
|
|||
>
|
||||
</h3>
|
||||
<p>
|
||||
This didn't actually make it into the EP despite me having sampled it on
|
||||
my <em>PiecesOfMeInMagneticForm</em> tape. Doddodo has been great
|
||||
inspiration with regards to making messy and fun music. I first found
|
||||
This didn't actually make it into the EP, despite me having sampled it on
|
||||
my <em>PiecesOfMeInMagneticForm</em> tape. Doddodo has been a great
|
||||
inspiration with regard to making messy and fun music. I first found
|
||||
her
|
||||
<a
|
||||
target="_blank"
|
||||
|
|
Loading…
Add table
Add a link
Reference in a new issue